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January 2024

Currently busy learning lines for a one-person play, Zelda in the Backyard by Elyzabeth Wilder, which I go into rehearsal for next month with Alabama Shakespeare Festival. (Image, bottom left, is from our workshop reading at Southern Writer's Festival in 2022.) Excited to work with my friend Rick Dildine as director again. Rick was just announced as the new Artistic Director at Minneapolis Children's Theatre, so I'm honored to be a part of his final show at ASF.

Also in pre-production for As You Like It at St. Louis Shakespeare Festival, which I'm directing in Forest Park in June.


August 2023

**UPDATE** Expedition was nominated for a Pushcart Prize!

Many thanks to The Disappointed Housewife for publishing my first nonfiction work, Expedition, a flash piece that explores the tension between safety and wildness as it details some of the history of one of St. Louis' brick-filled neighborhoods, DeMun. Gratitude to editor Kevin Brennan for his thoughtful input, and to my amazing professor at Mississippi University for Women, Mary Miller for her guidance. (Mary's great novel Biloxi, was just featured in the Los Angeles Times "Literary Map of the US.")

July 2023

Just directed my first opera, Benjamin Britten's masterpiece Turn of the Screw at Union Avenue Opera. Loved every minute directing a wonderful cast: Meroë Kahlia Adeeb, Christine Brewer, Cecilia Hickey, Alexandra Martinez-Turano, James Stevens, and Sophie Yilmaz. Scott Schoonover conducts. Through July 14th. Tickets here.

March 2023

Thrilled to hear my short play, Student, will be published in the Spring 2023 edition of New Plains Review.

Also busy rehearsing What the Constitution Means to Me at Max and Louie Productions. Opens April 5. Reserve tickets here.

July 2022

Thrilled to be reunited with my former collaborator Rick Dildine at Alabama Shakespeare Festival's Southern Writer's Festival to workshop a wonderful new one-woman show, Zelda in the Backyard by my new favorite playwright/friend Elizybeth Wilder.

(Photo left courtesy of Alabama Shakespeare Festival)

April 2022

Big Machine is the second musical I've directed recently about the realities of American labor, brand new from Colin Healy of Fly North Theatricals. This cast was made up of a crack professional company working alongside mentored COCA students, produced as part of the incredible COCAWrites program, led by Delaney Piggins. (Photo left by Phillip Hamer)

July 2021

Proud to direct Billy Elliot at COCA, using the Professional Workshop Model-professionals working alongside apprentices alongside students of all ages. A beautiful musical about the power of community and a heroic British miners' strike.


June 2021

My radio play, SHE, produced by ERA Theatre with amazing music by Joe Taylor and directed by Lucy Cashion, premiered at Off Broadway in STL. Full album available for purchase on Bandcamp here. (Graphic Design by Martin Brief.)

August 2020

The film version of my play, MUTE is going to the PRESS Film Festival in Croatia (September) and the Rieti & Sabina Film Festival in Italy (November). Congrats and thanks to my collaborators for saying yes to that crazy project.

April 2020

My new play, MUTE: A Play for Zoom was featured in American Theatre magazine!  

In a world much like ours, there exists a video conference call. And in this call, there are academics, confusion, fire hamster. An experimental theatre piece that steals rabidly from Ionesco, Beckett, real life and Chekhov. Written for performance on Zoom by Nancy Bell and directed by Lucy Cashion. Premiered on Zoom April 5, 2020.

January, 2020

Just began rehearsals for the English-language premiere of Wildfire by David Paquet at Upstream Theatre. It's a dark comedy exploring cookies, desire, motherhood and generational trauma. Never done anything quite like this heartbreaking little gem of a play. Opens January 24, 2019. Tickets here.

My play, The People in the Cabin, was selected for the 2019 Great Plains Theatre Conference, and is currently a semi-finalist for the 2019 O'Neill National Playwrights Conference. 










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